Studio

 still water's membrane visualizing disturbance. one drop echo's across a  surface leaving a mark life is an ephemeral trace 'to live is to leave traces' Walter Benjamin   

Being Human 'A Festival of the Humanities' 2019 Humanizing Medicine at Bart's Pathology Museum, this event is part of the 'This Time its Personal' hub series by Queen Mary University of London and Kings College London. Delighted to be showing work at Bart's Pathology Museum as part of this event. https://beinghumanfestival.org/organiser/kings-college-london-2/ Image showing the work 'Prototype for an Everyday Thing' 2019.

Concept: Starting Point  Through harvesting inaudible sounds present in surrounding structures of the inhabited institution we will create and open up dialogues - the revealing of these invisible structure systems will be discussed in a broader sense. focus on social, political and cultural discourse  ie; current chasms within politics the polarization of ideologies the empty space  that was once the 'middle ground' Method: The removed observer see previous post 'objectives' Listening PROJECT wearable sculpture performative sound harvest OUt COme t.b.c. divergent thinking method

www.chapelartsstudios.co.uk/events/art-laboratory-embraces-dissent-as-a-methodology/ I will be taking part in this alongside fellow CAS associates. OBJECTIVES 1] turning myself into a mobile acoustic leakage probe 2] attaching myself to established and apparent intransient structures 3] noting recording and evolving

Work selected for Solaris Gallery summer exhibition. Edition of 10 Giclée prints on heavy Museum etching paper.

Bat E Ed Reply | Sun 02/10, 08:45 You Darling julia,        —If every time we’re apart animals I don’t know particularly well if at all sidle up nude and say something life changing. Pressing an ancient coin into my hand like, 'MEANS'. Talon or  hot pad braille; big weepy eyes. I usually end up touching one right in the bed. Every inch of which   toy, felted body quickens the focus all the way to pubic sharpening, squeak-thread up thru the  thinned underwear with the perished elastic — like those irrepressible roots that rend  tarmac, my knees crooked under the grey covers, just trying to find a friendly kitten or something.   The whole flank goosebumps together, then. Which is so  good , I think. Leaf or daint somatic rapport, sweets. Which is what we have, h...

quietly doing time in the shadows in the shade of a banyan tree  hiding in that gran'pappy tree dark cool quiet  recesses  trailing root beards all around and spoke in  the sticky fat hand way of children

imagined interiors digital sculpture 2019 the secret life of materials from the anti-structuralist gesture collection. Spring/Summer 2019 Please click the links below for details about my practice. Thank you. https://www.floorrmagazine.com/directory#!biz/id/5baba187afd691586e962bce/Profile https://www.floorrmagazine.com/directory#!biz/id/5baba187afd691586e962bce/Biography

some artists use drawing as a means of creating dream worlds and landscapes within which their ideas can wander and rest so interesting the development of structures in relation to the singular objects - like an analogy of the one becomes so much more powerful as a collective - reflection mirroring - thinking about the 'p' shoe work. using fragile corruptible everyday materials, her world is peopled with despised relegated outcasts Walter B's observation - 'the most ordinary business of survival - the routine tasks of the everyday were the special resting places of the story teller.'

Happening in March!  [ catalyst mind expander all the words written - love you ] Tender Vessels is a series of images presented as a visualisation – or thought process – describing a closed set of materials and motifs that are embedded within my practice, the substance of which is my visual language.   These new configurations are highly manipulated photographs of physical sculptures created in the studio which have been subjected to the filters and editing process of the social media experience. The images have an ethereal transient quality [almost like an x-ray] and it is interesting to view these through a social anthropology context. Although the work is made up of six individual ‘closed’ images there is an affinity or dialogue between the works. The work is questioning the role of social media in society – how do people interact within these closed new spaces? The title is referencing the idea of individuals as the ‘vessels’ and the hopeful wish for ‘t...

'i feel like there is a cloth covering the world - a perfectly white cloth - and when it is lifted off and all the forms are revealed the shapes and objects are more felt than seen or thought - a vibration or rhythm that lies deeply inside of things. Deep in pillows - float - like sticks on the stream - still as bewildered' Writing from the boy inside me -