read this quite by chance; these words [love it when that happens] 'every material has a history in its production and perception. And in a way everything is already a product. Even if you have a piece of stone in front of you, somebody cut it out, somebody transported it. There is labor and investment in every material you use. And I try to deal with this in the sense that whether it's pigment, gold, a car, a tree or Plasticine, the history of the material is always there. I'm not denying that history, i'm not erasing that history. I think that there is an awareness of the history in every material evident in the final look of the work. Connect with the history and the functionality of the material.' Gabriel Orozco. the new thing has many materials and associations - all together in a collage of chaotic weirdness, too much? perhaps - but the essence of it is chaotic so maybe that's okay?